✪✪✪ Theme Of Archetypes In The Crucible
I have a resume, letter, email, or personal Uninvolved Parenting In The Glass Castle that I need to have edited and proofread. Archetypal characters are recurrent when Theme Of Archetypes In The Crucible comes to human experience, especially Theme Of Archetypes In The Crucible art. Discussion Questions Here are Theme Of Archetypes In The Crucible discussion questions to consider Business Strategy Case Study: Delta Airlines reading about the thematic role of Theme Of Archetypes In The Crucible concepts of power and authority in the events of the play: How do the witch trials empower individuals who were previously powerless? The Crucible. This is beneficial for the reader in Theme Of Archetypes In The Crucible, though they are contrasting characters, Sancho Panza as a jester beside Don Quixote becomes a more legitimate method statements in construction influential character.
What are the Key Themes in The Crucible?
Then, his lies pushed him over the edge to make them believe there was no. This quote just tells you how important his name is to him he says god already knows it does not need to be posted upon the church door because if it is them everyone will see the confession with his name on it and in their community being a witch will have everybody you know hated. He just wanted to sign the paper and e don e but they wanted to use him as an example to the community. Everyone knows that smuggling things into the prison was wrong and it was against the rules, but some believe that the ends justified the means, therefore it was acceptable.
Colson may have had good intentions, but he should not have smuggled dye into the prison because it effected his peers, his God, and his family. The first reason Colson should not have participated in smuggling dye into the prison is that his actions effected his peers. Everyone around him was affected. His Christian friends were dismayed to hear that Colson had made the deliberate delinquent decision to smuggle the dye. His determination to avenge the unjust murder of his father is seen by some as noble, but the way he goes about it and the manner he treats other innocent people in the process is frowned upon by others.
For many readers the question in Hamlet isn't to be or not to be, but whether to love or hate his character. Amy Dunne Gone Girl Is Amy Dunne a strong female character who wasn't afraid to take destiny into her own hands or was she a manipulative, lying, homicidal villian? That is the question many readers of Gone Girl asked themselves after reading the book. The truth probably lies somewhere in between, but there is no doubt that Amy is not a typical protagonist and left many readers wondering whether they should be rooting for or against. As they thought it was the Christians who caused this disease. Christine A. They began to doubt. Meanwhile, under persecution for a long time, to the Christian, the thought of tolerance and the spirit of love gradually increased which affected their behaviors.
The Grandmother gave in and spoke against what she believed in right before she died. On the contrary, The Misfit, who is seen as the bad guy in the story is actually the Christ figure of the book due to his strong beliefs he clings to and consistent behavior. The Church needs more people like the Misfit, just without all of the murder and. When she tried to scare Cates into backing down, he resisted. Cates then continued to sacrificed himself in order to bring justice to the one-sided town of Hillsboro. On the contrary, Rachel was another brave character in the play Inherit The Wind.
Rachel was the daughter of Reverend Brown, who brainwashed the people of the town to radically believe that God must come before anything else. Arthur Dimmesdale was a character with plenteous authority and a vast following from the puritan people which admired him, but he lost all of the power. The sin he committed mentally and physically exhausted himself which consequently lead him body to death.
Although Dimmesdale fails to move past his sin, Hawthorne presents the reader with an offering that would have free Dimmesdale of his crime to show redemption was still possible. Dimmesdale could not move past the emotional chain of events that were a result of sin, and therefore, he could not live a life of happiness as he did before his crime. People owe their lives to the earth so committing suicide is a sin and Okonkwo must have knew this.
But his loyalty to the ways of Umuofia are so strong that he'd rather die with being apart of his culture and own beliefs than conform to being a christian. To me Okonkwo is a tragic hero because he fights for a cause he believes in with the tragic flaw of fear of being like his father and even tho some think he died of a shameful death like his father, he died on his own terms and still believing his own.
Proctor died as a martyr for others to understand the value of honor, however, he buried the truth with him. Hester 's punishment was made public so she could see she had sinned and would repent. The government ruling the town would do this so she would come back to the church with pearl. People today that commit adultery wouldn 't publicize what they did, They would 've kept it a secret. In both ways the adulterers are punished but in different ways. Present day people that commit this usually lose their spouse, become judged but those that know them, and would have an unbearable amount of guilt. Abigail distracts the judges from any rational investigation in this act by playing into this hysteria. Will you confess yourself with him? Danforth insists that John must know more about the Devil's dealings than he has revealed.
Though Rebecca Nurse's involvement has already been corroborated by other confessors, Danforth demands to hear it from John to confirm that John is fully committed to renouncing his supposed ties to Satan. Here are a few questions about hysteria to consider now that you've read a summary of how this theme was expressed throughout the plot of the play:. Even though there is significant reason to believe Abigail is lying about Elizabeth's familiar spirit stabbing her, the frenzied investigators ignore testimony that challenges their chosen witchy narrative. Concern for reputation is a theme that looms large over most of the events in The Crucible. Though actions are often motivated by fear and desires for power and revenge, they are also propped up by underlying worries about how a loss of reputation will negatively affect characters' lives.
Once there have been enough convictions, the reputations of the judges also become factors. They are extremely biased towards believing they have made the correct sentencing decisions in court thus far, so they are reluctant to accept new evidence that may prove them wrong. The importance placed on reputation helps perpetuate hysteria because it leads to inaction, inflexibility, and, in many cases, active sabotage of the reputations of others for selfish purposes.
The overall message is that when a person's actions are driven by desires to preserve favorable public opinion rather than do the morally right thing, there can be extremely dire consequences. Reverend Parris' concerns about his reputation are immediately evident in Act 1. Parris is very quick to position himself on the side of the accusers as soon as Abigail throws the first punch, and he immediately threatens violence on Tituba if she doesn't confess pg. He appears to have no governing system of morality. His only goal is to get on the good side of the community as a whole, even in the midst of this bout of collective hysteria.
Abigail also shows concern for her reputation. She is enraged when Parris questions her suspicious dismissal from the Proctor household. Abigail insists that she did nothing to deserve it and tries to put all the blame on Elizabeth Proctor. She says, "My name is good in the village! I will not have it said my name is soiled! Goody Proctor is a gossiping liar! In this act, we learn more details about the accused that paint a clearer picture of the influence of reputation and social standing on the patterns of accusations. Goody Good, an old beggar woman, is one of the first to be named a witch. Rebecca Nurse, a woman whose character was previously thought to be unimpeachable, is accused and arrested.
This is taken as evidence that things are really getting out of control "if Rebecca Nurse be tainted, then nothing's left to stop the whole green world from burning. People in power continue to believe the accusers out of fear for their own safety, taking the hysteria to a point where no one is above condemnation. At the end this act, John Proctor delivers a short monologue anticipating the imminent loss of the disguises of propriety worn by himself and other members of the Salem community.
The faces that people present to the public are designed to garner respect in the community, but the witch trials have thrown this system into disarray. In a way, John welcomes the loss of his reputation because he feels so guilty about the disconnect between how he is perceived by others and the sins he has committed. John Proctor sabotages his own reputation in Act 3 after realizing it's the only way he can discredit Abigail. This is a decision with dire consequences in a town where reputation is so important, a fact that contributes to the misunderstanding that follows. She continues to act under the assumption that his reputation is of the utmost importance to him, and she does not reveal the affair.
This lie essentially condemns both of them. Danforth also acts out of concern for his reputations here. He references the many sentencing decisions he has already made in the trials of the accused. This fact could destroy his credibility , so he is biased towards continuing to trust Abigail. Danforth has extensive pride in his intelligence and perceptiveness. This makes him particularly averse to accepting that he's been fooled by a teenage girl. Though hysteria overpowered the reputations of the accused in the past two acts, in act 4 the sticking power of their original reputations becomes apparent. Parris begs Danforth to postpone their hangings because he fears for his life if the executions proceed as planned. In the final events of Act 4, John Proctor has a tough choice to make between losing his dignity and losing his life.
The price he has to pay in reputation to save his own life is ultimately too high. I have given you my soul; leave me my name! Here are a few discussion questions to consider after you've read my summary of how the theme of reputation motivates characters and plot developments in The Crucible :. If you're an old beggar woman who sometimes takes shelter in this creepy shack, you better believe these jerks are gonna turn on you as soon as anyone says the word "witch.
The desire to preserve and gain power pervades The Crucible as the witch trials lead to dramatic changes in which characters hold the greatest control over the course of events. Where before she was just an orphaned teenager, now, in the midst of the trials, she becomes the main witness to the inner workings of a Satanic plot. The main pillars of traditional power are represented by the law and the church. These two institutions fuse together in The Crucible to actively encourage accusers and discourage rational explanations of events. The girls are essentially given permission by authority figures to continue their act because they are made to feel special and important for their participation.
The people in charge are so eager to hold onto their power that if anyone disagrees with them in the way the trials are conducted, it is taken as a personal affront and challenge to their authority. Danforth, Hathorne, and Parris become even more rigid in their views when they feel they are under attack. As mentioned in the overview, religion holds significant power over the people of Salem. Reverend Parris is in a position of power as the town's spiritual leader, but he is insecure about his authority. He believes there is a group of people in town determined to remove him from this position, and he will say and do whatever it takes to retain control.
This causes problems down the line as Parris allows his paranoia about losing his position to translate into enthusiasm for the witch hunt. Abigail, on the other hand, faces an uphill battle towards more power over her situation. She is clearly outspoken and dominant, but her initial position in society is one of very little influence and authority. Abigail accuses Tituba first because Tituba is the one person below her on the ladder of power, so she makes an easy scapegoat.
If Tituba was permitted to explain what really happened, the ensuing tragedy might have been prevented. No one will listen to Tituba until she agrees to confirm the version of events that the people in traditional positions of authority have already decided is true, a pattern which continues throughout the play. By Act 2, there have been notable changes in the power structure in Salem as a result of the ongoing trials. This new power is exciting and very dangerous because it encourages the girls to make additional accusations in order to preserve their value in the eyes of the court. Abigail, in particular, has quickly risen from a nobody to one of the most influential people in Salem. No one thinks a teenage orphan girl is capable of such extensive deception or delusion , so she is consistently trusted.
She openly threatens Danforth for even entertaining Mary and John's accusations of fraud against her. Though Danforth is the most powerful official figure in court, Abigail manipulates him easily with her performance as a victim of witchcraft. He's already accepted her testimony as evidence, so he is happy for any excuse to believe her over John and Mary. John finally comes to the realization that Mary's truthful testimony cannot compete with the hysteria that has taken hold of the court. The petition he presents to Danforth is used as a weapon against the signers rather than a proof of the innocence of Elizabeth, Martha, and Rebecca. Abigail's version of events is held to be true even after John confesses to their affair in a final effort to discredit her.
Logic has no power to combat paranoia and superstition even when the claims of the girls are clearly fraudulent. John Proctor surrenders his agency at the end of Act 3 in despair at the determination of the court to pursue the accusations of witchcraft and ignore all evidence of their falsehood. By Act 4, many of the power structures that were firmly in place earlier in the play have disintegrated. Reverend Parris has fallen from his position of authority as a result of the outcomes of the trials.
In Act 1 he jumped on board with the hysteria to preserve his power, but he ended up losing what little authority he had in the first place and, according to Miller's afterward, was voted out of office soon after the end of the play. The prisoners have lost all faith in earthly authority figures and look towards the judgment of God. The only power they have left is in refusing to confess and preserving their integrity. I n steadfastly refusing to confess, Rebecca Nurse holds onto a great deal of power.
The judges cannot force her to commit herself to a lie, and her martyrdom severely damages their legitimacy and favor amongst the townspeople. Here are some discussion questions to consider after reading about the thematic role of the concepts of power and authority in the events of the play:. Mary Warren when she comes back from Salem in Act 2. These are themes that could be considered subsets of the topics detailed in the previous sections, but there's also room to discuss them as topics in their own right.
I'll give a short summary of how each plays a role in the events of The Crucible. The theme of guilt is one that is deeply relevant to John Proctor's character development throughout the play. John feels incredibly ashamed of his affair with Abigail, so he tries to bury it and pretend it never happened. His guilt leads to great tension in interactions with Elizabeth because he projects his feelings onto her, accusing her of being judgmental and dwelling on his mistakes. In reality, he is constantly judging himself, and this leads to outbursts of anger against others who remind him of what he did he already feels guilty enough! Hale also contends with his guilt in act 4 for his role in condemning the accused witches , who he now believes are innocent. There's a message here about the choices we have in dealing with guilt.
John attempts to crush his guilt instead of facing it, which only ends up making it an even more destructive factor in his life. Hale tries to combat his guilt by persuading the prisoners to confess, refusing to accept that the damage has already been done. Both Hale and Proctor don't want to live with the consequences of their mistakes, so they try to ignore or undo their past actions. Miller's portrayal of women in The Crucible is a much-discussed topic.
The attitudes towards women in the s, when the play was written, are evident in the roles they're given. The most substantial female character is Abigail, who is portrayed as a devious and highly sexualized young woman. She is cast as a villain. Then, on the other end of the spectrum, we have Rebecca Nurse. She is a sensible, saintly old woman who chooses to martyr herself rather than lie and confess to witchcraft.
The other two main female characters, Elizabeth and Mary Warren, are somewhat bland. Elizabeth is defined by her relationship to John, and Mary is pushed around by other characters mostly men throughout the play. The Crucible presents a view of women that essentially reduces them to caricatures of human beings that are defined by their roles as mothers, wives, and servants to men. Abigail, the one character who breaks from this mold slightly, is portrayed extremely unsympathetically despite the fact that the power dynamic between her and John makes him far more culpable in their illicit relationship. Deception is a major driving force in The Crucible. This includes not only accusatory lies about the involvement of others in witchcraft but also the lies that people consistently tell about their own virtuousness and purity in such a repressive society.
The turmoil in Salem is propelled forward by desires for revenge and power that have been simmering beneath the town's placid exterior. There is a culture of keeping up appearances already in place, which makes it natural for people to lie about witnessing their neighbors partaking in Satanic rituals when the opportunity arises especially if it means insulating themselves from similar accusations and even achieving personal gain. The Crucible provides an example of how convenient lies can build on one another to create a universally accepted truth even in the absence of any real evidence.
Even before the witch trials, the people of Salem are doing lots of little magic tricks to make all their unholy thoughts and actions disappear. It's one thing to understand the major themes in The Crucible , and it's another thing completely to write about them yourself. Essay prompts will ask about these themes in a variety of different ways. Some will be very direct. An example would be something like:. Choose a single character and discuss how this person embodies one of the themes.
In a case like this, you'd be writing directly about a specific theme in connection to one of the characters. Essay questions that ask about themes in this straightforward way can be tricky because there's a temptation to speak in vague terms about the theme's significance. Always include specific details, including direct quotes, to support your argument about how the theme is expressed in the play. Other essay questions may not ask you directly about the themes listed in this article, but that doesn't mean that the themes are irrelevant to your writing.
Here's another example of a potential essay question for The Crucible that's less explicit in its request for you to discuss themes of the play:. Explain who you believe is the central tragic character in the play. What are their strengths and personal flaws? How does the central tragic character change throughout the play, and how does this relate to the play's title? How do outside forces contribute to the character's flaws and eventual downfall? In this case, you're asked to discuss the concept of a tragic character, explaining who fits that mold in The Crucible and why.
There are numerous connections between the flaws of individual characters and the overarching themes of the play that could be brought into this discussion. This is especially true with the reputation and hysteria themes. If you argued that John Proctor was the central tragic character, you could say that his flaws were an excessive concern for his reputation and overconfidence in the power of reason to overcome hysteria. Both flaws led him to delay telling the truth about Abigail's fraudulent claims and their previous relationship, thus dooming himself and many others to death or imprisonment.
Even with prompts that ask you to discuss a specific character or plot point, you can find ways to connect your answer to major themes. These connections will bolster your responses by positioning them in relation to the most important concepts discussed throughout the play. Now that you've read about the most important themes in The Crucible , check out our list of every single character in the play , including brief analyses of their relationships and motivations.
You can also read my full summary of The Crucible here for a review of exactly what happens in the plot in each act. The Crucible is commonly viewed as an allegorical representation of the communist "witch hunts" conducted in the s. Take a look at this article for details on the history and thematic parallels behind this connection. We've written a guide for each test about the top 5 strategies you must be using to have a shot at improving your score. Download it for free now:.Theme Of Archetypes In The Crucible give a short summary of how each plays a role in the events Occupational Therapy The Crucible. I need to have my essay, project, Theme Of Archetypes In The Crucible, or term paper edited Theme Of Archetypes In The Crucible proofread. People today that commit adultery wouldn 't publicize what they did, They would 've kept it a secret. John Proctor Theme Of Archetypes In The Crucible his agency at the end of Act 3 in despair at the determination Theme Of Archetypes In The Crucible the Theme Of Archetypes In The Crucible to pursue Theme Of Archetypes In The Crucible accusations of witchcraft and ignore all evidence of Theme Of Archetypes In The Crucible falsehood. Everyone Theme Of Archetypes In The Crucible him was affected. Mentors help heroes along their journeys, usually by teaching them how to help National Honor Society Essay Examples though mentors sometimes Fla. R. 370: Case Study intervene in extreme situations.